Read 25/05/2021-31/05/2021
Rating 4 stars
Cockfight is the debut collection of short stories by Ecuadorian writer María Fernanda Ampuero, translated by Frances Riddle, that explores the violence and exploitation that comes with being a woman in Ecuador.
The writing is lyrical and Riddle’s translation chooses words and phrases with care, capturing the visceral nature of Ampuero’s original narrratives. Continue reading
Read 28/02/2021
Rating 5 stars
Written in 2005 and first published in English translation in 2014, Marie NDiaye’s hypnotic fictional memoir Self Portrait in Green follows an unnamed narrator, who is a writer, and her encounters with mysterious green women. Continue reading
Read 16/12/2020-23/12/2020
Rating 4 stars
famished is a collection of ultra short stories by Anna Vaught. The minimalist, modernist cover contains 17 baroque horror stories, all centred on food or eating, and influenced by writers from Angela Carter, Henry James and Edgar Allan Poe to F Scott Fitzgerald, William Faulkner and Carson McCullers.
These tales are strongly feminist, peopled by women who are taking control. The subtext is often ‘eat, or be eaten’. Continue reading
Read 07/12/2020-16/12/2020
Rating 5 stars
Between Beirut and the Moon is Naji Bakhti’s debut novel. Set in Beirut roughly a decade after the civil war, it follows Adam Najjar and his dream of becoming the first Arab astronaut and the first Arab to walk on the moon. Bakhti is a wry observer of the universal oddness of family and the extra complexity that comes with a Lebanese adolescence. Continue reading
Read 23/11/2020-06/12/2020
Rating 5 stars
Ghosts on the Shore is a travel book partly inspired by family history. Paul Scraton is a British writer who has lived in Berlin since the early 2000s. His wife grew up in the GDR and spent her early years on the Baltic Coast. Scraton became fascinated by this part of Germany, in part thanks to his wife Katrin’s family photographs and her childhood memories, but also because of the Baltic Coast’s place in the wider history and mythology of Germany. And so he decided to take a trip. Continue reading
Read 01/09/2020-27/09/2020
Rating 3 stars
Darran Anderson’s Imaginary Cities is a weighty tome that tries to pull together all manner of writing, thinking, visual representation and design theory on space and specifically on cities. It’s inspired by Italo Calvino’s Invisible Cities, a book I haven’t read. It’s also that very rare thing – a book I don’t really know how to review. Even taking into account that I don’t really write standard reviews.
Continue reading
Read 19/07/2020
Rating 3 stars
Book 7 of my 10 Books of Summer reading challenge
Eley Williams’ debut collection of short stories, published three years ago, explores the precision and elusiveness of language.
At its best, Williams’ writing is woozy and other worldly. Continue reading
Read 11/07/2020-12/07/2020
Rating 5 stars
Book 5 in my 10 Books of Summer reading challenge, a substitution in the original list.
I find it hard to believe that Boy Parts is Eliza Clark’s debut novel. It’s confident, fiercely funny and its chattiness belies the darkness at its heart.
Not since Chuck Pahlaniuk have I felt so delighted to be entertained by the vagaries of human nature. Not since James Kelman has a writer captured so well for me the hard edge of working class play and working class survival. Not since the translation of Virginie Despante’s Vernon Subutex trilogy into English have I been so pleased to meet a character that is so grotesquely charming. Continue reading
Read 22/01/2020-26/01/2020
Rating 3 stars
This slim volume of short stories by poet and fiction writer Annabel Banks is one of my chosen books from my Influx Press subscription. It’s a challenging and entertaining read. There are moments of real discomfort mixed up with the laughs provoked by Banks’s ability to skewer human nature. Continue reading
Read 04/10/2019-06/10/2019
Rating 5 stars
This Way to Departures is Linda Mannheim’s second collection of short stories for Influx Press. It’s the follow up to Above Sugar Hill, which I loved.
This Way to Departures spreads its net wider than NYC, both geographically and emotionally. If Above Sugar Hill is about the identity of a particular place and its influence on those who are entwined in its arms, then Departures is about the nomads who have no place of their own and find it impossible to become entwined, no matter where they go.
