Mona Arshi’s novella Somebody Loves You is the story of Ruby, a young girl who chooses mutism as her coping mechanism to deal with the stresses of her suburban life. It opens with a quote from Fernando Pessoa’s The Book of Disquiet that speaks of feeling unnoticed and finding a way to preserve your inner self.
Continue readingTag: Racism
The Dance Tree
Kiran Millwood Hargrave’s second novel, The Dance Tree, crossed my radar thanks to Emma reviewing it as one of her 20 Books of Summer over at Em With Pen. Emma made it sound so appealing that I reserved it at the library.
Continue readingWhere We Find Ourselves: Poems and Stories of Maps and Mapping from UK Writers of the Global Majority
Read 29/04/2022-30/04/2022
Rating 5 stars
My friend Dipika has a story in this anthology, which gathers together poems and stories of maps and mapping from UK writers of global majority communities.
These are tales of place, covering diaspora, exile, identity, childhood and family. The writers are all based in the UK and are from a wide range of communities. After finishing The Good Immigrant, I wanted to sink my teeth into more writing from communities that are underrepresented in the literary world, and this offering from Arachne Press gave me the opportunity to do just that. Continue reading
The Good Immigrant
Read 19/04/2022-29/04/2022
Rating 5 stars
The Good Immigrant is a collection of essays by 21 British writers who “explore what it means to be Black, Asian and minority ethnic in Britain today”. It was published by Unbound in 2016. In the six years since it first appeared in print, the world has moved on and the white devised acronym BAME is rightly seen as reductive now.
On the back cover is a question that each of these essays seeks to answer: “What’s it like to live in a country that doesn’t trust you and doesn’t want you unless you win an Olympic gold medal or a national baking competition?” Continue reading
Empireland: How Imperialism Has Shaped Modern Britain
Read 09/01/2022-27/01/2022
Rating 4 stars
I like Sathnam Sanghera. He makes difficult, emotive subject matter accessible. His documentary about the Amritsar massacre led me to Kim Wagner’s book Amritsar 1919. I haven’t yet watched his Empire State of Mind series, but I reserved his book Empireland somewhere in the distant past of 2021 and it arrived from the library at the start of this year.
Empireland begins with a set of acknowledgements that include the following statement, “… I’m going to spend as little time as possible fretting about definitions: almost every term used in discussion of empire, from ‘colony’ to ‘commonwealth’ to ‘colonialism’, to say nothing of ‘race’ and ‘racism’, can be contested, their meanings changing over time.” Sanghera goes on to say that immersion in definitions produces long academic books, and his ambition in writing Empireland was to create the opposite.
He has succeeded. Empireland is Sanghera’s personal exploration of who he is, as a British Sikh, and how empire has created the environment he grew up in, as well as influenced the language and attitudes everyone in Britain has, across race, gender, religion and politics. Continue reading
Cockfight
Read 25/05/2021-31/05/2021
Rating 4 stars
Cockfight is the debut collection of short stories by Ecuadorian writer María Fernanda Ampuero, translated by Frances Riddle, that explores the violence and exploitation that comes with being a woman in Ecuador.
The writing is lyrical and Riddle’s translation chooses words and phrases with care, capturing the visceral nature of Ampuero’s original narrratives. Continue reading
Imperial Reckoning: The Untold Story of Britain’s Gulag in Kenya
Read 26/06/2020-11/07/2020
Rating 5 stars
Book 4 in my 10 Books of Summer reading challenge, a substitution in the original list.
Imperial Reckoning: The Untold Story of Britain’s Gulag in Kenya is the US edition of Caroline Elkins’ book published in Britain as Britain’s Gulag: The Brutal End of Empire in Kenya. It documents a particularly atrocious period in Britain’s history – the brutal suppression of the Kikuyu people in Kenya in the 1950s, through the use of detention camps and forced labour, and the subsequent attempts by British government to cover it up. Continue reading
The Master’s Tools Will Never Dismantle the Master’s House
Read 03/06/2020-07/06/2020
Rating 5 stars
Book 1 in my 10 Books of Summer reading challenge.
I put The Master’s Tools Will Never Dismantle the Master’s House on my list of books for the 20 Books of Summer reading challenge because I’ve owned it since November 2018 and made a couple of attempts to read it, both times putting it down after a couple of pages because it felt too much. The current protests against the brutal treatment of black people by police and society in general made me get over myself.
This pocket sized volume of 50 pages packs a punch. It brings together five essays by Audre Lorde that are a call to dig deep, find our passion, harness our anger and make a permanent, radical change to the assumptions that underpin the world we live in. These essays highlight sexism, racism and homophobia and underline their intersectionality. Continue reading
A Circle in the Fire and Other Stories
Read 25/05/2020-03/06/2020
Rating 4 stars
A Circle in the Fire and Other Stories is a Folio Society collection of short stories by the Southern Gothic writer Flannery O’Connor. I bought it from The Book Shop in Wigtown on our accidental first visit to Scotland’s national book town. Continue reading
Black and British
Read 27/05/2018-02/09/2018 (with breaks!)
Rating: 4 stars
It took me a while to read this history of Black people in Britain, mainly because it’s an in-depth piece of research that warranted a slow read to absorb the multi-layered stories, but also because the majority of those stories are necessarily hard going. I needed to take a number of breaks to read books that were lighter in tone or pure fiction.
I watched David Olusoga’s BBC TV show Black and British last year and have been meaning to read the accompanying book for a while. I enjoyed his presenting style and the way he made a difficult subject accessible without diluting the message of white culpability in the enslavement and continued denigration of people of colour that is central to this history. Continue reading