The Underground Railroad

The Underground Railroad follows the fortunes of Cora, a slave born on a cotton plantation in Georgia. Colson Whitehead constructs a framework for his novel that is grounded in history, but is more allegorical than factual, a sort of Pilgrim’s Progress through the worst of American history mixed with the satire of Gulliver’s Travels.

My historian brain battled with this, struggling to place the narrative in a fixed time period, questioning the veracity of the experiences Cora has, confused by seeming representations of American history that sources I checked couldn’t verify. There are anachronisms and a prefiguring of certain post-slavery methods of controlling black lives in among the events that have their roots in fact.

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I Am Not Sidney Poitier

I Am Not Sidney Poitier follows a man called Not Sidney Poitier from his hysterical birth to his unlikely and unofficial adoption by Ted Turner and beyond. It’s a wry novel that made me think of Paul Auster, Charles Bukowski, John Kennedy Toole and Kurt Vonnegut all at once and not at all.

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Sugar and Slate

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Read 15/03/2022-29/03/2022

Rating 4 stars

Sugar and Slate is a memoir about growing up mixed race in North Wales. Paula chose it as this year’s Dewithon book and I managed to find a library copy. It’s partly fictionalised and the author’s reminiscences about her own life are punctuated by poetry and dramatic scenes that tell the story of her parents and the broader stories of nationality, race and belonging. Divided into three sections, Africa, Guyana and Wales, the book examines how these places have impacted and influenced the author’s life, and how their presence as points in the slavery triangle explain how the author came to exist. Continue reading

The Shadow King

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Read 18/04/2021-04/05/2021

Rating 4 stars

Hirut, a woman with a long scar “that puckers at the base of her neck and trails over her shoulder like a broken necklace”, waits in Addis Ababa station for a man she hasn’t seen in almost 40 years. They are connected by a secret, one from history, involving Mussolini and Emperor Haile Selassie. Continue reading

Imperial Reckoning: The Untold Story of Britain’s Gulag in Kenya

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Read 26/06/2020-11/07/2020

Rating 5 stars

Book 4 in my 10 Books of Summer reading challenge, a substitution in the original list.

Imperial Reckoning: The Untold Story of Britain’s Gulag in Kenya is the US edition of Caroline Elkins’ book published in Britain as Britain’s Gulag: The Brutal End of Empire in Kenya. It documents a particularly atrocious period in Britain’s history – the brutal suppression of the Kikuyu people in Kenya in the 1950s, through the use of detention camps and forced labour, and the subsequent attempts by British government to cover it up. Continue reading

The Master’s Tools Will Never Dismantle the Master’s House

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Read 03/06/2020-07/06/2020

Rating 5 stars

Book 1 in my 10 Books of Summer reading challenge.

I put The Master’s Tools Will Never Dismantle the Master’s House on my list of books for the 20 Books of Summer reading challenge because I’ve owned it since November 2018 and made a couple of attempts to read it, both times putting it down after a couple of pages because it felt too much. The current protests against the brutal treatment of black people by police and society in general made me get over myself.

This pocket sized volume of 50 pages packs a punch. It brings together five essays by Audre Lorde that are a call to dig deep, find our passion, harness our anger and make a permanent, radical change to the assumptions that underpin the world we live in. These essays highlight sexism, racism and homophobia and underline their intersectionality. Continue reading

Hold Tight: Black Masculinity, Millennials and the Meaning of Grime

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Read 06/07/2019-16/07/2019

Rating 4 stars

Read as part of the 20 Books of Summer readathon.

I read Hold Tight as someone who isn’t strictly a fan but who likes the Grime I’ve heard and wanted to know more about its artists and evolution. I’m aware that this review might not be of interest to most of the readers who regularly follow my meandering thoughts on what I’m reading. However, if you’re even vaguely interested in the sociology of working class culture and the music genres that emerge from it, then give this review and the book it’s about a chance. For anyone black, urban and millennial dropping by, please be aware that this review is going to be a bit like the bromance between Michael Buerke and Tinchy Stryder on I’m A Celebrity Get Me Out of Here. Continue reading