The Underground Railroad follows the fortunes of Cora, a slave born on a cotton plantation in Georgia. Colson Whitehead constructs a framework for his novel that is grounded in history, but is more allegorical than factual, a sort of Pilgrim’s Progress through the worst of American history mixed with the satire of Gulliver’s Travels.
My historian brain battled with this, struggling to place the narrative in a fixed time period, questioning the veracity of the experiences Cora has, confused by seeming representations of American history that sources I checked couldn’t verify. There are anachronisms and a prefiguring of certain post-slavery methods of controlling black lives in among the events that have their roots in fact.
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