I’m starting my Euro Tour in Sweden with Lina Wolff’s The Polyglot Lovers. I read Wolff’s first novel, Bret Easton Ellis and the Other Dogs, not so long ago and have intended to read her second for a while. Wolff is Swedish, from Lund in Skåne. She lived in Spain for a while, where her first novel and some of the stories in her first collection, Many People Die Like You, are set. The Polyglot Lovers is set in Sweden and Italy. Continue reading →
I’ve been perusing my stack of books that I have yet to read, and have decided that I’m going on another book trip. I enjoyed “holidaying” over the summer via the books I’d bought on recent holidays. As it’s unlikely that I’ll get to Europe for a while (thanks pandemic, thanks Brexit), I thought I’d knock a few titles off the stack that are by European authors and head off on a virtual tour of the continent.
Cockfight is the debut collection of short stories by Ecuadorian writer María Fernanda Ampuero, translated by Frances Riddle, that explores the violence and exploitation that comes with being a woman in Ecuador.
The writing is lyrical and Riddle’s translation chooses words and phrases with care, capturing the visceral nature of Ampuero’s original narrratives. Continue reading →
Where the Wild Ladies Are, Matsuda Aoko’s collection of short stories, translated into English by Polly Barton, is a reimagining of different traditional Japanese folk tales as told in kabuki plays and the comedic tradition of rakugo. Matsuda introduces a feminist slant to the stories, which I enjoyed.
It’s May Day! Beltane, if you will. I wish I’d been clever enough to do a folk horror Six Degrees of Separation this month. Kate, who hosts the meme at Books Are My Favourite and Best, has chosen a children’s classic, Beezus and Ramona, for the first book in the chain. Read on to see how I end up in a submarine with Captain Nemo.
This isn’t really a review. It’s more an overview. How Grey Was My Valley is a photo essay using images taken by Peter Halliday that explores various examples of post-war modernist architecture in Wales. It includes images and descriptions of buildings I have known, some in passing, others more intimately. Continue reading →
Written in 2005 and first published in English translation in 2014, Marie NDiaye’s hypnotic fictional memoir Self Portrait in Green follows an unnamed narrator, who is a writer, and her encounters with mysterious green women. Continue reading →
Permafrost is the first novel by Catalan poet Eva Baltasar. It’s a thing of beauty, visceral and uncompromising. It’s about depression, and being cared about but not loved; it’s the story of someone who tries not to let others in because being self-contained is safer. It’s also deeply, dryly funny.
The final installment in Virginie Despentes’s Vernon Subutex trilogy draws together threads from the previous books and has characters zigzagging into one another’s lives, turned there by coincidence and kismet.
Dorthe Nors’ fifth novel examines the crisis of middle age as experienced by a single woman estranged from her sister and trying to work out what she wants from life. It’s a funny and moving book, with a deadpan humour that wrong foots the reader from time to time with its seriousness. Continue reading →