Rating 5 stars
I follow Nicola Barker on Twitter. She posts infrequently, but when she does it’s usually oddly satisfying pictures of her view from various London public telephone boxes or things she’s found while mudlarking along the Thames. There’s nothing in her feed that suggests she’s an author, and I didn’t know her as a writer until H(A)PPY was longlisted for the Women’s Prize for Fiction in 2018.
The blurb for H(A)PPY intrigued me. The reader is invited to imagine a utopia in which all knowledge is open, and doubt, hatred, poverty and greed no longer exist. Everyone lives within a System that nurtures and protects, part of a Community that nourishes and sustains. There’s no sickness, no death, no fear.
Sounds good? I wasn’t so sure. I like my privacy. I also like that it’s our differences and individualities that cause the negative things that Barker’s post-post-apocalyptic society has banished. I don’t know that I’d enjoy a world without individuality or opportunities to learn.
This is Barker’s twelfth novel. It seemed like as good a place as any to introduce myself to the writing style of the woman who is mildly obsessed with phone boxes.
It’s slippery at times, the tale she’s written, but it kept me wondering what was going on, curious to find out how it would end. I know how it ends now, of course. I’m saying nothing. I’m glad that I didn’t read any reviews, any judging comments, any opinion pieces before I read it. I imagine it might have spoiled the experience. I enjoyed it greatly. I’d recommend it wholeheartedly. If you want to read it with no prior knowledge, don’t read any further here. My reading experience and my reactions to the book might take the edge off the pleasure of this unusual novel. Continue reading
Rating 5 stars
Oh, my heart! Rosamund Young expresses everything that I have ever thought about the intensive farming practice in the UK. She has more knowledge than I possess, because Rosamund is a farmer and has chosen a very particular way of raising livestock. The Secret Life of Cows is a chronicle of the adventures of her bovine livestock and their interactions with the other animals who live on the farm, including the humans. Continue reading
Rating: 5 stars
I loved the BBC adaptation of Michel Faber’s novel about life in Victorian England from both sides of the wealth divide. It was a pleasure to finally read the book. Faber writes with fluidity and poise, balancing a phrasing appropriate to the era he describes with a tone that suits the modern ear.
I truly loved this book, Continue reading
Happy New Year everyone. I’m starting my 2019 blogs with the January Six Degrees meme, sticking with my tradition of being slightly late. (Resolutions to do better are pointless, don’t you think?) This month we’re starting with The French Lieutenant’s Woman by John Fowles. Continue reading
In 2016, I decided to actively increase the number of women authors I read. I blogged about it for a bit, using the tag ‘women read women’. I’ve made a bit of headway over the past couple of years, shifting the gender bias in my reading habits from 34% female to 40%. I’d like to be closer to 50-50, but I think I’d have to stop reading books by men entirely for a while.
I don’t want to do that, and here’s why. Continue reading
Rating: 2 stars
Touch is the second novel by Claire North, one of the pen names of Catherine Webb. I hadn’t heard of her in any of her guises, but a colleague saw me reading one of the Wayfarer series of books and thought I might like Claire North.
Its 423 pages took longer to read than they deserved. It was a grind at times. The central character has the sort of transient existence that makes it hard for them to have anything they care about, and the things North decided they would care about didn’t grab my attention. Continue reading
Rating: 3 stars
My best friend lent me this book. She knew that I would enjoy it, and she was right.
Within the first couple of pages, Durian Sukegawa’s description of the novel’s setting made me yearn for Japan and the holiday adventures my husband and I like to take exploring the side streets and everyday bits of Japan away from the tourist attractions. The description of the dorayaki shop where Sweet Bean Paste is set made me think of the Japanese drama series Midnight Diner: Tokyo Stories. Continue reading