Hit Factories is a curious and eclectic book. The title and the flyleaf blurb suggest a social history of pop in industrial cities – how the industrial landscape influenced the music and vice versa. It’s not that, though. It’s more personal, built around an attempt by author Karl Whitney, a Dubliner transplanted to the North East of England, to understand Britain differently.
Whitney has drawn on a travel writing approach of exploring the relationship between landscape and community, finding the out of the ordinary and drawing on the voices of those involved in the story. The book examines why certain industrial cities developed, or didn’t, distinctive music scenes and represents the condensed musical histories of 11 cities across just over 300 pages.Continue reading →
A Glastonbury Romance is an incredible piece of literature. It won’t be to everyone’s taste. It rambles and gets bogged down in verbiage at times, but it also soars. I was utterly absorbed and entertained by it. The story examines the nature and meaning of life on Earth through the peccadilloes of its characters and John Cowper Powys’s commentary on various philosophical ideas, from religion to politics via environmentalism. I think it portrays human nature honestly, for the most part, but also reveals that Powys at best didn’t understand women, and at worst was a chauvinist. Continue reading →
The final installment in Virginie Despentes’s Vernon Subutex trilogy draws together threads from the previous books and has characters zigzagging into one another’s lives, turned there by coincidence and kismet.
For my next read, I travelled from the 17th century and Spain, Portugal, the Netherlands and England fighting to control trade across East Asia, as fictionalised in Shōgun, to the 18th century and the rise of a trading corporation with violence in its constitution. William Dalrymple’s The Anarchy is a boiled down history of the East India Company and its violent occupation and control of the Indian subcontinent that laid the foundations of the British Raj.
The first Saturday of January came too soon for me. 2021 started slowly and I’m only gradually emerging from the brain hibernation I’ve been experiencing for the past couple of weeks. But here I am for Six Degrees of Separation. Can I sustain a chain a month for the meme hosted by Kate at Books Are My Favourite and Best for another year? This month, we’re starting with a book I read last year, Maggie O’Farrell’s Hamnet.
Oh, hello again. It seems that we’re back where we were, and I am filled with ennui. Ennui is a word I’ve misused in the past to mean boredom. Thank you, Lockdown, for teaching me its true meaning. Continue reading →
Between Beirut and the Moon is Naji Bakhti’s debut novel. Set in Beirut roughly a decade after the civil war, it follows Adam Najjar and his dream of becoming the first Arab astronaut and the first Arab to walk on the moon. Bakhti is a wry observer of the universal oddness of family and the extra complexity that comes with a Lebanese adolescence. Continue reading →
Ghosts on the Shore is a travel book partly inspired by family history. Paul Scraton is a British writer who has lived in Berlin since the early 2000s. His wife grew up in the GDR and spent her early years on the Baltic Coast. Scraton became fascinated by this part of Germany, in part thanks to his wife Katrin’s family photographs and her childhood memories, but also because of the Baltic Coast’s place in the wider history and mythology of Germany. And so he decided to take a trip. Continue reading →
Stasiland has the subtitle Stories from Behind the Berlin Wall. In it, Anna Funder shares the experiences of a number of East Germans to build a picture of life under an oppressive regime. Her interviewees range from people who tried to escape, people separated arbitrarily from family overnight, and people who worked for the Stasi. There are amazing people between these pages who survived unimaginable horrors, and there are also the people who supported the use of those horrors. I found it a very moving book. Continue reading →
Summer is the final book in Ali Smith’s ambitious Seasonal Quartet. It’s about change; the necessity of it so that things can be made new; the opportunity it offers for us to redefine ourselves in response to it; the choices we make and the consequences they hold. It’s also a drawing together of threads that travel through the other books, with returning characters and crossing themes. Continue reading →