The Trick is to Keep Breathing

9062390684c2c8e593434455251416341674141_v5

Read 22/08/2021-28/08/2021

Rating 5 stars

The Trick is to Keep Breathing is book eight on my summer reading challenge list, part of Cathy’s 20 Books of Summer reading challenge. It is the story of Joy, a Drama teacher whose life is unravelling. It combines narrative with text layout, font weight and insertion of illustrative elements to represent Joy’s unravelling. There’s a feel of concrete poetry to it, and the sort of textual play that Nicola Barker used in her novel H(A)PPY. There’s also a feel of Eleanor Oliphant is Completely Fine to Joy’s story, superficially in the way Joy looks to women’s magazines to distract and instruct, and more seriously in the way her immediate family has treated her, and the damage not having a safety net can do to a person. Continue reading

Sight

1473652375-01-_sx142_sy224_sclzzzzzzz_

Read 03/06/2018

Rating: 3 stars

When I first started to read Sight by Jessie Greengrass, I couldn’t quite get into it, so I put it aside for a week, read some nonfiction, a book I’ll return to and review later.

Attempt two went better, in a way. Better because I was drawn in by the confessional tone of her prose. In a way because I felt an immediate connection with the narrator, and a specific circumstance in her life, that didn’t feel entirely positive and yet carried recognition.

The novel is split into three parts. Each part has its own science story that is metaphor for the events happening in the narrator’s life. Each scientist is someone who sees the unseeable, bringing the hidden into view. Continue reading

On Flirtation

0571174906-01-_sx142_sy224_sclzzzzzzz_

Read 08/02/2017-13/02/2017

Rating: 2 stars

I’ve had Adam Phillips’ book, On Flirtation, on my bookshelf for more than ten years. I bought it on the recommendation of someone highly inappropriate with whom I was flirting, at a time when someone else was flirting with me and I was flirting with the idea of being a more hedonistic person than had previously been the case.

I enjoy flirting. I like that feeling of uncertainty, the thrill of what might happen, whether it’s stepping too close to the edge of something safely dangerous, or making eyes at someone attractively unattainable. I like the sense that I could become someone different by flirting with possibility, but not having to commit to it. I also like that it ends as soon as it becomes boring, or as soon as something more important takes up your attention.

I started reading On Flirtation for The Reader’s Room Winter Challenge. I was looking forward to it. I expected it to be a book about what flirtation is, why we do it, what its hidden meaning and purpose might be. The opening sentences of the first two paragraphs confirmed what I think about flirting.

The fact that people tend to flirt only with serious things – madness, disaster, other people – and the fact that flirting is a pleasure, makes it a relationship, a way of doing things, worth considering.

Exploiting the ambiguity of promises – the difference, say, between someone being promising and someone making a promise – flirtation has always been the saboteur of a cherished vocabulary of commitment.

Sadly, it didn’t turn out to be a treatise on flirtation. It was more of an exploration of and challenge to psychoanalytic dogma. Not the book I wanted at all. I’d go as far as saying the blurb on the back cover was misleading. Continue reading