Rating 4 stars
First published in Japan in two volumes in 2017 and issued in English translation in 2018, Killing Commendatore is the fourteenth of Haruki Murakami’s novels to be published in the English language.
In this instalment of his epic tale of men who don’t understand women and don’t fully understand themselves, Murakami has chosen to tell the story of an unnamed artist. The novel incorporates a trio of mysteries. Continue reading
No, it’s not a new meme or a typo. Weezelle posted a fun and interesting rumination on which literary characters she’d sup with given half the chance and I thought I’d join in. Continue reading
Rated: 4 stars
I am biased because I love the way Murakami writes, but I thought this book was wonderful. It has been a while since I have devoured a book in a single day, but once I started, I couldn’t put it down for long. There is a restfulness to Murakami’s prose, like being in a dream and waking up feeling fully refreshed. I found each of the characters well drawn, even the cipher-like Sara. I loved the slow exploration of the relationship between the five friends and the sense of solitude found even in a tight knit circle. Continue reading
I’ve read so many of Murakami’s books that I can’t review them individually*. Instead, I’m going to write a fan post about him.
He is my favourite writer. I like a lot of different writers, each of whom has what it takes to be a favourite. Writers whose books I have to read because I know I’m going to like what they’ve written. I like Paul Auster, Margaret Atwood, William Faulkner, David Mitchell, Kurt Vonnegut, John Steinbeck, Fyodor Dostoyevsky, Glen Duncan, Andrey Kurkov, and Flannery O’Connor in that way. Others as well, but mainly them.
Murakami, though, is something else. Continue reading