Hit Factories: A Journey Through the Industrial Cities of British Pop

1474607403.01._sx540_sclzzzzzzz_

Read 05/04/2021-18/04/2021

Rating 3 stars

Hit Factories is a curious and eclectic book. The title and the flyleaf blurb suggest a social history of pop in industrial cities – how the industrial landscape influenced the music and vice versa. It’s not that, though. It’s more personal, built around an attempt by author Karl Whitney, a Dubliner transplanted to the North East of England, to understand Britain differently.

Whitney has drawn on a travel writing approach of exploring the relationship between landscape and community, finding the out of the ordinary and drawing on the voices of those involved in the story. The book examines why certain industrial cities developed, or didn’t, distinctive music scenes and represents the condensed musical histories of 11 cities across just over 300 pages. Continue reading

Vernon Subutex 3

Read 14/02/2021-21/02/2021

Rating 4 stars

The final installment in Virginie Despentes’s Vernon Subutex trilogy draws together threads from the previous books and has characters zigzagging into one another’s lives, turned there by coincidence and kismet.

Continue reading

The Miracle Shed

0571173233-01-_sx142_sy224_sclzzzzzzz_

Read 14/02/2017-19/02/2017

Rating: 3 stars

Read for The Reader’s Room Winter Challenge.

My husband bought me this book, before I became his wife. He had read it and liked it, and wanted to share it with me. I didn’t get around to reading it at the time. I’m not sure why. Perhaps because there are always other books making their way to the crest of my book pile, pushing short story collections further down.

MacCann was apparently one to watch when this, his debut work, came out. As far as I can tell, he hasn’t published any other books. He’s been more focused on journalism. I read an article he wrote about being an alumnus of Malcolm Bradbury’s Creative Writing course at UEA. MacCann doesn’t seem to be a satisfied customer.

This collection of stories is filled with outsiders, people who internalise their dissatisfaction with life, or who try to numb it in some way. They are almost abstract as characters. MacCann plunges you straight into the heart of a story, without context or exposition. I felt like a voyeur, given a glimpse of these characters’ lives through a crack in a door, or a moment’s eavesdropping on a conversation. Continue reading