Exercises in Control

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Read 22/01/2020-26/01/2020

Rating 3 stars

This slim volume of short stories by poet and fiction writer Annabel Banks is one of my chosen books from my Influx Press subscription. It’s a challenging and entertaining read. There are moments of real discomfort mixed up with the laughs provoked by Banks’s ability to skewer human nature. Continue reading

This Way to Departures

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Read 04/10/2019-06/10/2019

Rating 5 stars

This Way to Departures is Linda Mannheim’s second collection of short stories for Influx Press. It’s the follow up to Above Sugar Hill, which I loved.

This Way to Departures spreads its net wider than NYC, both geographically and emotionally. If Above Sugar Hill is about the identity of a particular place and its influence on those who are entwined in its arms, then Departures is about the nomads who have no place of their own and find it impossible to become entwined, no matter where they go.

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How the Light Gets In

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Read 22/08/2019-26/08/2019

Rating 5 stars

Read for the 20 Books of Summer readathon.

How to describe How The Light Gets In. The prosaic description is that it’s a collection of short stories. It’s not, though. Not entirely. These are ultra short stories, fragments in many cases, brief glimpses into the lives of people on the edge of the prosaic. I found some of the stories breathtaking, literally. At times, I found myself holding my breath with the emotion of being dropped into a situation and then realising the enormity of that situation to the person experiencing it. Continue reading

Wayward Girls and Wicked Women

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Read 17/07/2019-02/08/2019

Rating 3 stars

Read as part of the 20 Books of Summer readathon.

I accidentally started Women in Translation month early with this collection of short stories. I should have known that Angela Carter would include a few women whose first language isn’t English. After all, being a woman who doesn’t conform to the artificial notion of femininity isn’t an exclusively Anglophone thing.

Carter introduces her selections as being about women who aren’t really wicked or wayward, at least not all of them. Continue reading