I don’t know why I’ve chosen the title of a film I’ve never watched about a band I’m not that bothered about as the heading for this post. Perhaps because I don’t think meeting people is easy. And yet here I am about to pretend to meet people by answering some questions about myself. Thank goodness we’re not in a room together.
Where the Wild Ladies Are, Matsuda Aoko’s collection of short stories, translated into English by Polly Barton, is a reimagining of different traditional Japanese folk tales as told in kabuki plays and the comedic tradition of rakugo. Matsuda introduces a feminist slant to the stories, which I enjoyed.
It’s May Day! Beltane, if you will. I wish I’d been clever enough to do a folk horror Six Degrees of Separation this month. Kate, who hosts the meme at Books Are My Favourite and Best, has chosen a children’s classic, Beezus and Ramona, for the first book in the chain. Read on to see how I end up in a submarine with Captain Nemo.
The first Saturday of January came too soon for me. 2021 started slowly and I’m only gradually emerging from the brain hibernation I’ve been experiencing for the past couple of weeks. But here I am for Six Degrees of Separation. Can I sustain a chain a month for the meme hosted by Kate at Books Are My Favourite and Best for another year? This month, we’re starting with a book I read last year, Maggie O’Farrell’s Hamnet.
December’s here already, and the first Saturday of the month brings with it Six Degrees of Separation. At the start of the year, I decided that I would attempt to create a chain for the meme every month. And here I am, at the end of the year, with my twelfth chain. This month, we’re starting with Judy Blum’s 1970 classic Are You There God? It’s Me, Margaret.
First published in Japan in two volumes in 2017 and issued in English translation in 2018, Killing Commendatore is the fourteenth of Haruki Murakami’s novels to be published in the English language.
In this instalment of his epic tale of men who don’t understand women and don’t fully understand themselves, Murakami has chosen to tell the story of an unnamed artist. The novel incorporates a trio of mysteries. Continue reading →
Tokyo Ueno Station is a ghost story, an alternative history of Japan and a critique of Japanese society. Beginning among the homeless community who live in and around the busy commuter station near Ueno Park, it reaches back through time to the Great Kanto Earthquake of 1923, the post-war economic boom, the migration of workers to Tokyo to help build the Olympic park in 1964, and the devastating tsunami of 2011.
The narrator of the tale is called Kazu. Through him, we see a different Japan to the one portrayed in travel programmes and newspaper articles. It’s a harrowing story of loss and abandonment. Continue reading →
Hiromi Kawakami’s second novel was a change of pace from my previous read this month. Set in a thrift shop that definitely isn’t an antique shop, it follows the lives of shop owner Mr Nakano, his sister Masayo and his two employees Takeo and Hitomi. Hitomi narrates the day to day happenings around the shop. Continue reading →
I have 149 books that I own on my to read list. 78 of those are physical books that teeter in a pair of piles in front of one of my bookcases. When I read that Sandra (A Corner of Cornwall) and Paula (Book Jotter) are doing the 20 Books of Summer readathon hosted at Cathy’s blog 746 Books (I thought my to read pile was bad!), I decided this was the thing that I needed to focus my mind and get 20 of those books read. Continue reading →
I first found out about Dendera at an author event at my local Waterstone’s bookshop. I’d gone along with a friend to hear Sayaka Murata speak about her novel Convenience Store Woman. For me, the presence of Yūya Satō and discussion of his novel was incidental. The host of the event thought otherwise, talking more to Satō and with more interest in Satō’s book. Satō came across as an affable chap, pleased with his sort of morality tale, sort of horror story, and I thought I’d give Dendera a try. Continue reading →